On-prem audio fingerprinting
Music and dialogue fingerprinting at scale, on the studio's own infrastructure — content-ID, rights tracking, and royalty workflows without an external dependency.
Indian media houses sit on decades of archive that should be searchable, monetisable, and protected — not surrendered to a foreign cloud to make it indexable.
Hundreds of thousands of hours of footage, audio, and editorial sit in Indian media archives — most of it not searchable, much of it not even indexed. Putting that asset through a foreign cloud is a strategic mistake; it concentrates value in someone else's stack.
Marxen builds on-prem and studio-LAN AI for transcription, fingerprinting, content intelligence, and creative tooling — at production throughput, with the archive staying in the institution's storage.
Ten concrete workflows where Marxen has deployed — or can deploy — sovereign AI in media institutions.
Music and dialogue fingerprinting at scale, on the studio's own infrastructure — content-ID, rights tracking, and royalty workflows without an external dependency.
Tens of thousands of hours of Tamil, Hindi, Telugu, and code-switched audio transcribed with speaker separation, timestamps, and speaker diarisation. Production-grade output.
Subtitle generation in multiple Indic languages, with timing and rendering rules respected. Vernacular dub scripts as a working first draft for the dubbing studio.
Auto-generated scene descriptions, named-entity tags, topic tags, and speaker IDs across the archive — making decades of footage queryable.
News and documentary editors ask in plain language — 'show me clips of the 2018 Kerala floods with a politician on camera' — and the system finds them.
Scene-level safety classification so brand and ad-ops can place spots with confidence — and without sending master assets to a third party.
First drafts of explainers, listicles, and recaps grounded in the publication's own archive and style guide. Editor curates.
Plain-language narration over watch data, drop-off analysis, and content-performance metrics — for editorial and programming heads.
Contracts, licences, and territory restrictions parsed and structured. Editorial knows what can run where, before the lawyer is in the meeting.
On-prem music identification across the archive, with confidence scores and royalty-rate context for the rights desk.
Models served inside the media-house network with throughput sized for archive ingest, not POC volumes.
Tuned for Tamil, Hindi, Telugu, Kannada, Malayalam, and code-switched broadcast English. Speaker diarisation as default.
Scene detection, OCR over lower-thirds, face recognition where consented, and brand-logo detection — on the studio's own GPUs.
Search, retrieval, and clip pulling built for the speed of an editorial room — not a generic data dashboard.
Master files, unaired material, and editorial archives do not leave the institution. Models do not train on your IP. Watermarking and provenance metadata are first-class outputs.
Brand-safety classifiers and content-rating outputs are auditable for advertising and regulatory review.
Adjacent industries